I can put all kinds of lights behind them since the 4×4 front now becomes the source. 4×4 frames are a big part of my lighting setups. To get soft lighting you either have to use diffusion or bounce the light onto the subject to create a large source. No pun intended □ In this setup, we have the Intellytech LC-160 2×2 LED with diffusion attached and grid to prevent light spill on the black background and a Quasar Science QLED bouncing into a large beadboard. I like how it wraps the talent and is nice and soft. Personally, I’m a big fan of large lighting sources. We are also seeing lights with 95 to 98 CRI consistently in the lower price ranges. LED lighting keeps getting better with options from fresnels to large panels and punchy RGB fixtures. Inside the yellow circle of the COB is an array of tiny LED’s that produce a single source. Even though the lights we do use don’t need to be as big and bright, we still need to use them.Ībove is what a COB or ‘Chip On Board’ light looks like. Yeah, cameras are really good now with clean, high ISO levels, but we need to use lights. Lighting is one of the fastest changing and evolving parts of the film and video production world. At the end of the day, you tear it all down! I think it’s the kid in me that likes to build with Lego which is why I like shiny light stands and diffusion frames. As a result, I learn a few things plus it’s fun! Also along with lighting comes gripping. I also like to try new diffusion techniques as well as different types of fixtures. I’m not a guy who always does the same setup. When I have the opportunity to try something different I jump right in. Creating a mood or look is important to tell the story or the message you want to deliver. This is a great way to get the lights above your subject.I love lighting! It truly makes the shot. They fit easily into either a grip head, or a C stand with an arm thanks to the 5/8″ pin. These mounts are lightweight and sturdy so I can mount any type of tube light. These clips are made to fit larger T12 tube lights such as the Quasar Science Xcross-fades. I use them not only as background lighting, but also for product photography and lighting talent. Tube lighting has been a constant part of my experimentation since this shoot. This is what I Learned about Tube Lighting from my Productions Quasar Science Qu-LED Dimmable 5600K X8 Photometric Results I set them to the lowest setting I could before they turned off in the background scene. It is important to note that they can be dimmed. It produces a decent amount of light for such a small tube. Although it is a bit more expensive than the other models, I believe it is worth the value and versatility. For the 4′, the dimmable model costs $75. Quasar Science sold me four 4′ QLED T8’s for $300. These tubes can be a little tricky to mount if you don’t know how to use them, but that’s what makes it fun entry level computer science jobs. They worked great to break up the background pattern. IKEA also had a few tungsten LED bulbs that I wanted to test. They are very affordable at $75 each so I bought four 4′ daylight T8s. This was something I thought might be a great way to add a unique lighting element to the background. I have seen many music videos recently that used Quasar Science X Cross-fades and T8’s in different lengths. The look the producers were looking for wasn’t feasible in our space, so I came up with something else. You can read my review hereĪ promo shoot was required for our investigative unit. These suckers are bright, bi-colour and very bright. They were first introduced to me by the Q-LED tube lights powered by batteries from Quasar Science. I didn’t think I would use them as often as I do. Quasar Science tube lights have been my favorite lately. This is what I Learned about Tube Lighting from my Productions.Quasar Science Qu-LED Dimmable 5600K X8 Photometric Results.
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